Mary Statues
In our page on choosing Mary statues we discussed some important elements of Mary's canonical image. We considered how, while on the verbal level of rational discourse, Mary's divinity is theologically denied by the Catholic Church, on the deeper level of symbolism, Her divinity is iconographically affirmed. We have discussed the fact that true symbolism is not a chance set of images with meanings arbitrarily assigned to them by human minds (this process is properly called allegory rather than symbolism); rather the fundamental symbols of traditional culture are part of the structure of the cosmos itself: they are our view of the celestial Archetypes, or Divine Ideas, that are the very Forms which shape the substance of the universe. Consequently, as explained in Creation Myths and the Virgin Mary, symbols - especially those of canonical iconography - have a life of their own, independent of the human minds through which they may be transmitted: and even apparent "errors" can, on occasion, play a part in rescuing traditional images from such human interference as patriarchal re-writing. One such symbol is the very name of Mary. The Ma- etymon, meaning Mother, is found again and again, throughout all language-groups in the Names of Dea. All Indo-European languages have it and we find it in the far east in such forms as Ma-tsu (Heavenly Mother). While the Hebrew name "Miriam" is nor directly related to this, in its Westernised for "Maria" by which Mary is known to all Christians, the ancient Ma- designation of our Mother God is restored. Déanists often refer to the Mother as Mari/Marya and God the Daughter as Anna or Inanna. Interestingly the names are apparently reversed in Christianity with the Mother of Mary being Saint Anne - however for most iconographic purposes Mary represents the Mother-creatrix. Mary-and-Anne icons are a special case which stress the daughter-aspect of Mary in the Divine Mother-Daughter Icon; although, as we have discussed elsewhere, various other traditional images found in Mary statues and pictures stress Her aspect as the Daughter-Saviour. For example the flaming/radiant Immaculate Heart is the Mother-heart, while the heart pierced with swords is the sacrificial Daughter-heart (see the Immaculate Heart of Mary).
Both lilies and roses are frequently associated with Mary and depicted in Mary statues. The rose is often identified as the Western symbolic equivalent of the lotus, and, as we see throughout this site, the lotus is present in a majority of Eastern images of Dea, whether as Kuan Yin, Tara or the various Indian "goddess" forms. The lotus is a rich and profound symbol which we shall discuss at length elsewhere. One of its primary meanings is the unfolding of the universe itself at the feet of the Creatrix. Likewise, the Rose is termed Rose of the World (Rosa Mundi). The lily, in its aspect as water-lily carries the water-borne aspect of the lotus symbolism and is often taken as a symbol of the Daughter while the Rose symbolises the Mother, thus the attribution of both flowers to Mary indicates yet again Her dual Mother/Daughter nature. We have passed rather briefly over the important symbolism of these sacred flowers, because they deserve full treatment in an article of their own - and will get it. However we hope we have said enough to make clear the orthodoxy and importance of yet another symbolic aspect of Mary statues for devotees of our Mother God. We have been asked whether pre- or post-Vatican 2 statues are preferable. Often there is no great difference, but where there is, pre- Vatican 2 statues are to be preferred. Pre-Vatican 2 Mary statues are more likely to be iconographically correct, and their supposed "sentimentalism" depicts Mary as Universal Loving Mother (or Saving Daughter) rather than as a human individual. The common accusation that pre-Vatican 2 statues are "sentimental" is, in fact, rather ironic: for these statues appeal to the Universal both in their iconographic correctness and in their depiction of more-than-human love. The post-Vatican 2 statue (where it is specifically post-Vatican 2) may tend to depict Mary as an individual human being rather than the Universal Mother. Its stress is on history rather than iconography; individuality rather than universality. In short, it is bound up with the sentiments of the age and the all-too-human prejudices of modern individualism rather than ideal Forms and eternal Truths. In choosing Mary statues, we should be looking for those that depict the Universal and the truly Divine rather than the individual and human, and we should be looking for a true representation of the important and universal symbols discussed in these pages. On the emotional level, we should be looking for images that inspire love and devotion, remembering that, for us, Mary statues are not images of a historical woman, but of Our Mother God. Now read: Choosing a Statue of Our Lady Mary: a guide for devotees of Our Mother God. See also: Mary's Crown of Stars and the "European Flag" A note on the crown of twelve stars worn by Our Lady Mary and its significance to Her as Solar Mother. Also addresses the relation of the "European Flag" to Our Lady's circle of twelve stars. The Immaculate Heart of Mary: Radiant Centre of the Universe Creation Myths and the Virgin Mary: What is a Creation Myth? Is it true? And How is Our Lady Mary connected with the primordial Creation Myth? Making your Home Shrine: Household worship of Our Mother God The Mother-God Hail Mary mp3 The Hail Mary "translated" for devotional use by children of Our Mother God. This Sermon, given at a Filanic Service, presents and explains the Mother-God Hail Mary.Mary and Eve reflections on the original Divine status of Eve as Creatrix, and the traditional idea of Mary as "the New Eve" Return to Virgin Mary main page Please support the Chapel of Our Mother GodSend Questions or Comments on Mary Statues Chapel of Our Mother God Homepage All written material at the Chapel of Our Mother God is copyright. Should you wish to reproduce any portion please contact us for permission.Search this Chapel of Our Mother God:or try our powerful
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Another fascinating symbol is the crown (or nimbus) of twelve stars about Our Lady's head in many Mary statues. While this is immediately drawn from the description in the Book of Revelation, it has a much more ancient origin, and is notably found in images of the Divine Ariadne. Ariadne, who provides the clew or thread that leads the soul through the labyrinth (our English word "clue" comes directly from this thread), is originally both the saviouress who rescues the soul from the maze of samsara and the thread-spirit (sutratman), and thus pure Divinity.
